A lot of little buzz jumped up on my reviews about this Sundance winner. Not realizing it was a New York movie as well as filmed in Black and White. I had no expectations whether good or bad, but slightly more excited because it was written, stared and directed in this debut movie. here's the synopses.
A down-on-her-luck playwright thinks the only way she can salvage her voice as an artist is to become a rapper at 40.
You should already know I’m a fan of Lupe. The last time I’ve heard anything from him was “Drogas Wave” in 2018. Very deep. and worth the listen just for the historic and spiritual side. But this EP attracted me because of the production by Kaelin Ellis which always grabs my attention. And of course the lyrical genius of Lupe. Outside of that take a listen to the commentary by Virgil Abloh as well. Pretty damn good.
Continuing with showing love to diverse producers, DJ’s, beat makers. The Laid back creative flow of Glenn Boothe aka - Knxwledge fell into my lap with his new 2020 release while trying to find a Corona Virus groove. My introduction to Knxwledge was his 2015 release HUD Dreams so this was a welcomed surprise. Thus finally getting to talk about this creative artist that caught my attention 2 years ago.
I didn’t do a review of Tek’s highly enjoyable “allow it” released in 2018. I wasn't feeling the earlier EP release Blood, but now with the release of Dweeb. The B’more native has been moving forward with his sound so I wanted to hear what this one would sound like. He goes a different route and flavors his multi layer tracks with more vocals, trap beats and for sure his signature synthesized sound. At the same time I ran into his group NASA 8 so I had to show some love this year.
So Alicia and I was watching social media and a lot of stuff popping up with sports figures and entertainment people. It was a surprise when we saw the Lebron James commercial then what he had in his garage. Here’s our thoughts
Sean and I jumps into one of my favorite southern rappers. This new release is full of features and Sean reveals the secret sauce. J. Cole produced album. Interesting review and our different perspective.
2 years ago, Sean introduced me formally to Big K.R.I.T with his release "4eva is a mighty long time." Now he drops something in this weak season of releases for us to digest and see how this release refers back to his 2010 mixtape "K.R.I.T Wuz Here". Sean jumped in with this new release and clearly made me listen to this in my ride. Not an in home listen
Sean introduces the new release by MAXO Kream. The Houston story teller gets personal but for some reason still sounds familiar like a Quality Control production. We jump on this 15 track release.
You already know we criticize Dreamville for lack of promotion and weak promotion. But mad love to a lot of their artist and the King sitting on top J.Cole. So this massive compilation release with so many surprises that I couldn't get to the end until I rewinded so many of these cuts that it too me a few days to take it all in. Any way here it is.
Sean and I wanted to review the Smith children since they both came out around the same time. First we give our take on Willow and a style that we weren't expecting to hear. Also since she is more of a veteran than her brother. We didn't know what we would get. Then we drop in Jaden. He had a few releases after his well received debut album (for the record, those other releases I was not feeling) So for 2019 we get a listen to another one of these long ass releases with long ass 4 min. average songs.